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UCSB’s Department of Germanic and Slavic Studies recently hosted Andreas Bernard, a visiting professor from Leuphana University Luneberg, for a talk on the history of epidemics. He said past theories regarding infections and diseases established successive origin stories that have affected epidemiological narratives today.
UC Santa Barbara graduate student Gulia Gurevich last week shared her research into Uzbek music history, in a joint lecture and recital. Gurevich presented Uzbek history as it influenced music, and discussed women’s role in music as a professional and educational field. After her lecture, she performed several different Uzbek works, including both solo and duo pieces.
The UC Santa Barbara Jazz Ensemble performed its Fall Concert with a tribute titled “The Identity of Ellington.” Ensemble director Jon Nathan spoke to HFA reporter Maya Johnson about what it meant for a predominantly white UCSB band to explore the history of race in jazz’s origins, and to give credit to artists and innovators who had been underpaid, discriminated against, and sidelined as jazz culture developed in the 20th century.
UC Santa Barbara's Carsey-Wolf Center hosted UC Irvine film professor Lucas Hilderbrand and UCSB Ph.D. student Graham Feyl to discuss the film classic, "Paris is Burning." The speakers said the film had a major impact on the LGBTQ community, on cinema, and on pop culture.
UC Santa Barbara’s Carsey-Wolf Center hosted the filmmakers Valerio Ciriaci and Izaak Liptzin to discuss their film Stonebreakers. The speakers talked about the protests surrounding the Columbus monuments during the Black Lives Matter movement and finding new ways to memorialize history.
UC Santa Barbara’s Carsey-Wolf Center hosted Cuban writer-director Miguel Coyula and actress Lynn Cruz to discuss their 2021 film Corazón Azul. The filmmakers spoke about the challenges they faced over the decade it took to produce the film, specifically, government censorship in Cuba.
The Writing Program at UC Santa Barbara has taken a proactive lead in the field of AI with its recent introduction of a new AI Writing Program Policy. Daniel Frank, a lecturer in the Writing Program and one of the writers of the new policy, explores how instructors and students can implement AI in the classroom.
Richard Croy, the new production and events manager for UCSB’s Music department, sat down for a Q&A to discuss his experience in theater and producing, as well as his plans to revitalize Lotte Lehmann Concert Hall.
UC Santa Barbara’s art department recently welcomed artist Rodrigo Valenzuela, a professor of photography at UCLA to speak to students as part of the Visiting Artist Speaker Series. Valenzuela shared his portfolio of work, emphasizing economic, political, and social issues in the United States and in Chile, where he is originally from. He encouraged students looking to pursue a career in art.
The English Department has reason to celebrate, as two of its professors won awards for early career achievements in their fields of study.
UCSB's Department of Film and Media Studies recently hosted Dewitt King, a UC Chancellor's Postdoctoral Fellow in Film and Media Studies at UC Irvine, for a lecture on anti-Blackness and the sex-based economies within the pro wrestling scene. He told the story of a pro wrestler, Lio Rush, and his experiences with the industry and how he joined the subscription-based platform OnlyFans.
UC Santa Barbara’s Literature and Mind research center, housed in the English Department, and its Trauma-Informed Pedagogy project hosted a talk on the use of trigger warnings in the classroom. Undergraduate student Bethany Clements shared research into trauma-informed teaching and proposed solutions to help students engage with potentially triggering content.
To celebrate the life and legacy of former U.S. House of Representatives member and UCSB Religious Studies professor Walter Capps a quarter century after his passing, a symposium was hosted by the Walter H. Capps Center. One panel focused on Capps’ ground-breaking Vietnam War class, which opened national discussion that prioritized mental health care for veterans. The session this month brought the insight and healing of that innovative class to a new generation.
This fall, UCSB’s Art Design and Architecture Museum is displaying work by Helena Arahuete, an artist and architect who aims to create work that collaborates with its surrounding environment and align with nature. The museum is free, and open to students and community members at UC Santa Barbara.
UCSB's Religious Studies department hosted a three-day workshop looking into the professional artists and craftspeople responsible for the labor and construction of Buddhist sites in India, Japan, Tibet, and Mongolia. UCSB faculty and visiting lecturers looked into areas such as standard practices and information passed down through generations.
UC Santa Barbara’s Interdisciplinary Humanities Center (IHC) recently welcomed author and journalist M.G. Lord to speak to students as part of IHC’s Imagining California Series. Lord shared her perspective on the creation and impact of Barbie dolls, specifically through a feminist lens. In her speech, she spoke on controversies over gender stereotypes encouraged by Barbie dolls, while also acknowledging the impact of Barbie’s early feminist portrayals.
Cherríe Moraga, playwright, essayist and activist, gave a talk titled “Imagine This: The (Re)generation of Place,” for the Interdisciplinary Humanities Center’s Imagining California series. Moraga tackled the inherent struggle to define one’s cultural identity in the aftermath of hundreds of years of degradation and mistreatment.
The UCSB Classic department’s Erin Lam, who is the UC President’s Post-Doctoral Fellow, spoke about the poet Ovid’s Arms Amatoria through a new lens in the talk, “Cruising Rome: Queer Orientations in Ovid’s Ars Amatoria,” which examined the poet’s work as it related to eroticism and queerness.
UC Santa Barbara undergraduate student Bryan Perez attended Las Maestras Center’s ‘Literary Skulls’ event, where the history of Dia De Los Muertos and its traditions were discussed through poetry and verse. In this personal reflection, they explore how the event allowed them to feel more in touch with their own identity.
The Carsey-Wolf Center invited a panel last week to talk about film criticism and the cultural impact of film writing in the media today. Panelists discussed the affects of the streaming model and new media platforms on the landscape of film reviews and criticism
