The Department of Music is a leader in its field, training distinguished scholars as well as prize-winning composers and performers. Our alumni become conductors of orchestras and choruses, or go on to solo or orchestral performing careers, or to become singers in opera companies around the world. Many of our graduates are now writing music for television and film.
Undergraduates find their calling, whether traditional or avant-garde. From Ethnomusicology to Percussion to Composition, there are ways to forge a program suited to your passions -- be they theoretically- or performance-driven.
Supporting it all is a large complex of teaching studios, classrooms, practice rooms, three performance halls, and an outdoor concert bowl. We host a state-of-the-art Music Laboratory, and the Center for Research in Electronic Art Technology (CREATE). Our Music Library houses a collection of more than 120,000 holdings, including over 30,000 LPs and over 12,000 CDs.
CREATE is situated within the Department of Music and has strong ties to the Media Art and Technology program and the Allosphere research facility.
The Center is an association of faculty and students that promotes the study of music across academic disciplines.
Music News & Features
A little curiosity about a Music course in UCSB’s College of Creative Studies leads Phillip Mitchell to reunite with a classmate from his past. In this piece, Mitchell explores this long-lost connection, what has changed about it, and what significance of his old friend’s passions.
Drum Corps International, or DCI, is essentially the major league equivalent of marching band. Thousands of marching arts enthusiasts under the age of 21 join one of the 44 active drum corps and go on a nationwide tour, performing at high schools, colleges, and even NFL stadiums for thousands of fans across the country.
Michael Hall, one of those many drum corps members, recalls the elation that he felt when his team won the title of “World Champion” at the 2018 Drum Corps International World Championships and how he has sought to recapture the joy that he found through music in the music and film departments at UCSB.
The Carsey-Wolf Center launched Beatles Revolutions, a series showcasing The Beatles’ impact on culture and politics in the US. The series kicked off at Pollock Theater with a screening of A Hard Day’s Night, followed by a conversation with journalist and author Ivor Davis. The next event takes place this Thursday, January 24th from 7:00-9:15 p.m. at Pollock Theater with Let It Be, a documentary directed by Michael Lindsay-Hogg, followed by a discussion with musician and producer Alan Parsons.
“We hope that those who attend the series will learn more about The Beatles both in the 1960s and beyond,” said Director of the Carsey-Wolf Center Patrice Petro.
The manner in which two different musicians compose and perform can be just as distinct as their personalities. “Individuality of expression is the beginning and end of all art,” wrote the German writer Johann Wolfgang von Goethe.
Cory Fildes and Will Stout, both undergraduate music composition majors at UC Santa Barbara’s Music Department, are a perfect example of this individuality. Both students write sheets of music every week. But although these two room together, their personal journeys differ completely and these variations become strikingly apparent in their music.
Julian Saporiti and Erin Aoyama, two PhD students from Brown University, are on a mission to share and perform their musical multimedia project “No-No Boy.” The piece consists of a slideshow and performance of folk songs to tell about Asian-American experiences during WWII and to confront prevailing narratives of that era that are found in textbooks. Saporiti and Aoyama presented their project to a UC Santa Barbara audience.
This series of videos, produced by UC Santa Barbara students, showcases the creative talent of students, faculty, and alumni from Humanities and Fine Arts.